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The Study in Emerald Palace was the final workshop of Carlo Mattioli from the late sixties. Its large halls have seen the birth of its most famous pictorial cycles and have been visited by the greatest intellectuals of the twentieth century: writers, poets, registers, photographers, journalists and historians attracted by the charisma of the solitary artist of Parma. In environments where the Master was working, where everything has remained as it was, will be displayed in rotation some works from his personal collection complemented by loans from public and private collections.
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