Galerie Le Feuvre

I present artists and works mainly from Urban Contemporary Art. I subscribe to both the long term and in the air. We can see there is a paradox that I think putting exceed pleasure, quality and sincerity central to my approach. Show works, explain the artistic process, food for thought, emotion welcome, in short, support the collector is an important part of my work.

The Urban Art, although still considered avant-garde and subversive interests more and more collectors and galleries. It seems to me obvious that the most talented artists have their place in collections "more mature" and they will one day (soon?) Classic. Acquire quality works, form a beautiful and coherent collection require the involvement of the collector. Everyone (gallery, expert, art dealer ..) will go to his good word. While it is useful to gather information and opinion, it is, in my opinion, even more, to trust his own judgment and be in the pursuit of pleasure. This is the advice I give to new collectors. At a time when a fighter buzz another, where hyper-reactivity speculators / investors / collectors blurs the cards by putting ever new artists on the front of the stage through auctions, happenings or other high-profile performance, I propose to return to work can be a bit "old school" but which has the merit of the work, the table in the center of the debate.

A gallery is it a communications agency? I do not think so. From my point of view, its role is to find artists who have a real writing, offering a sincere and singular work. The first find, then accompany them. "Make the road together," somehow. For example, we edit for each exhibition catalogs that are on the way, all testimony to the evolution of the artist, and, more generally, of the evolution of this particular artistic movement that is the Urban art. The market, in fifteen or twenty years, will handle the size and the renowned artists. Not all are the future Basquiat. But for some, why not? Meanwhile, collect with your eyes ...

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The artists and artworks Essentially this I come from the Urban Contemporary Art movement. My work fits into the Both long term and the spirit of the times. May you see a kind of paradox in this approach, qui I wish to Overcome with pleasure, sincerity and quality. Reviews The most significant portion of my job Implies to show the artworks, explain the artistic process, nourish the reflection, and welcome the emotion ... in brief, guide the collector.

Even if, Nowadays, the urban art is still regarded as subversive and avant-garde, more and more collectors and galleries are interested in it. It OCCURS to me as an evidence que le Most Talented artists-have rightful Their Place Within more mature collections and That, one day - maybe-even soon - They Will Become classics.

To purchase quality artwork and amass a beautiful and coherent collection need the personal involvement of the collector. Everybody - from the gallery owner to the art dealer via the expert - Would you put His one-liner. Those goal if external information and opinions are Useful, to my mind, it is-even more importantly to listen to our own judgment and to be in constant look for our own pleasure. This is the advice I always give to the new collector.

Nowadays everyone is moving from one to buzz Reviews another great and the reactivity of the Speculators, investors and collectors is scrambling the cards by putting Continuously new artists under the spotlight via Numerous auction sales, happenings and highly mediatised performances. That is why I propose to come back to work has maybe a little more old-school, a work in the qui artwork, the painting is Clearly the only thing that matters.

Is the gallery a communication agency? I do not think so. To me, ict Consists role in finding the artists with a true hallmark and a sincere and original artwork and to guide them ... Hit the road together in a way. For example, in the we are editing catalogs For Each exhibition we do, there are as Many evidences of the artist's Evolution as there are of the Evolution of the Urban Art.

In fifteen or twenty years, the market will spleen Those artists and build Their reputation. Being the new Basquiat is not given to everyone for profit Reviews some of them ... who knows? Meanwhile, collect with your eyes ...